Allyson Gronowitz

Senior Editor
Oni Press
Portland, OR 97214

Allyson Gronowitz is a Senior Editor at Oni Press and an experienced editorial leader working across comics publishing, narrative development, and creative project management. Based in Los Angeles, she is known for her editorial vision and her ability to support bold, boundary-pushing storytelling while cultivating both emerging and established creators. In her current role, she runs the EC Comics Revival imprint, overseeing long-term publishing strategy and managing the development and production of complex monthly anthology projects that span multiple stories and creative teams. Her work is defined by a balance of high-level narrative direction, talent development, and hands-on editorial execution.
Her journey in comics began after graduate school, when she was exploring journalism-related pop culture roles and began freelancing for a comics editor doing project management and editorial work. That experience led her to fall in love with the comics medium, followed by a 9-month temporary position at DC Comics that served as an intensive editorial training ground. Working alongside established editors and industry leaders gave her a strong foundation in the craft and solidified her path in publishing. From there, she joined BOOM! Studios, where she started as an assistant editor and progressed over six years to associate editor and then editor, working on both original and licensed properties while developing deep experience in managing multiple simultaneous projects.
At BOOM! Studios, Allyson worked under her current mentor, who is now Editor-in-Chief at Oni Press, and that professional relationship became a defining influence in her career trajectory. When the opportunity arose to reunite, she joined Oni Press over a year and a half ago, where she now leads the EC Comics Revival imprint. Across her editorial career, she has developed a strong ability to shape story direction, refine character arcs, and align narrative themes with audience impact. Drawing from her academic background in journalism at USC Annenberg and English and Philosophy at Barnard College, she applies a deeply analytical yet creative approach to storytelling, focusing not only on how stories are constructed, but on how they resonate and evolve to achieve a clear narrative purpose.

• Adobe Certified Associate in Video Communication Using Adobe Premiere Pro

• USC Annenberg School for Communication and Journalism - MA, Specialized Journalism
• Barnard College of Columbia University - BA, English & Philosophy

• Distinction for Senior Thesis
• Barnard College Dean's List
• Rookie of the Year

• Children International
• Volunteer - Ice Hockey In Harlem

Q

What do you attribute your success to?

Definitely having mentors and editors above me and that I work with who believe in me and have confidence in my work. I think that, for me, was a huge driver of my success before I even realized that I was doing good work. I was always surprised whenever I would get a promotion or anything, and so I think that was fully dependent on other people standing up for me and propping me up and giving me the space and the support to succeed in the way that I have. That's a huge part of it, and then when I try to sit back and think about what my strengths are, I think it also comes down to communication and being able to meet with teammates at whatever level they need to be met, and to have sometimes hard conversations with creators. Artists are sometimes a little persnickety, and I think we all just have to be able to understand where they're coming from. So communication is big, and I think trusting my gut and my passions and what I love in storytelling, and then making sure to seek that out and work towards that.

Q

What advice would you give to young women entering your industry?

I would say it's important to be driven, but also open-minded. I think to seek out mentorship. Mentorship has been a huge part of the most positive elements of my experience, working with a mentor, specifically a female mentor. My current boss at Oni, the editor-in-chief, is someone that I worked under at Boom at my previous company until she left, and it really was a matter of when I was going to get to work with her again. Like, that kind of was my driving force. So I think it's important to seek people out that you can rely on, emulate, and get advice from. And to also just be empathetic and understanding. I think a lot of our industry that people don't realize is that it's like 80% communication, whether that's the project managing of managing freelancers that you work with, or your coworkers, or anyone else in the industry. I think it's just so important to open every conversation with an open mind, an open heart, and understand that everyone is their own person and going through their own thing. Especially like, my job is fully remote, which makes that especially challenging, because communicating via email or chat is really just not as simple as having a face-to-face conversation, so I think it's more important than ever that we just approach people with empathy.

Locations

Oni Press

Portland, OR 97214