Kat Warwick, Sculptor and Owner on Influential Women
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Influential Woman · Stone Sculpting

Kat Warwick

Sculptor and Owner, The Art Life Way

Dallas, TX 65206

7Years experience

Certifications · Degrees · Memberships

Degree Leadership Arts Institute - North Texas Business Council for the Arts Degree University of North Texas Member The Creative arts Center of Dallas Member Dallas Swing Dance Society Member International Sculpture Center Member Texas Sculpture Group Member Texas Society of Sculptors Member Texas Sculpture Association Member Visual Arts Guild of Frisco

Her Story

About Kat

Kat Warwick is a professional sculptor, educator, gallery director, and the creator of Event Sculpting™, a proprietary interactive stone-carving experience designed to transform events into memorable, hands-on artistic experiences. Based in the Dallas-Fort Worth Metroplex, she combines decades of expertise in visual arts, education, and event production to create meaningful experiences for corporations, organizations, and communities. As Gallery Director for the Creative Arts Center of Dallas, Warwick curates exhibitions across multiple gallery spaces, oversees artist selection and installation, and designs immersive receptions that connect audiences with the stories behind the artwork.

Through her company, The Art Life Way, she also creates commissioned sculptures, manages public art projects, and works with businesses, schools, and municipalities to bring lasting works of art to life.

Warwick began her artistic career after earning a bachelor's degree in Advertising Art from the University of North Texas, building a strong foundation in design, customer service, and project management through roles in the printing and manufactured stone industries. In 2015, she launched The Art Life Way while continuing a successful career as a professional dance instructor before transitioning to full-time sculpting in 2019. She now manages the Stone Carving Department at the Creative Arts Center of Dallas, where she develops curriculum, mentors aspiring sculptors, oversees studio operations, and teaches students of all experience levels. A graduate of the Leadership Arts Institute through the North Texas Business Council for the Arts, Warwick is passionate about expanding access to the arts and creating innovative programs that strengthen communities through creativity.

In addition to her work as a sculptor and educator, Warwick has spent more than two decades teaching ballroom, swing, blues, and historic dance styles while producing performances, workshops, and community events alongside her husband. Her extensive volunteer leadership includes serving on the Board of Directors and as Teacher Liaison for the Creative Arts Center of Dallas, as well as previously serving on the Board of Directors of the Dallas Swing Dance Society, where she founded and directed the award-winning ACME Swing Company outreach and competition team. Guided by the belief that art has the power to inspire connection, joy, and personal growth, Warwick continues to create experiences that leave lasting impressions, enrich communities, and encourage people to discover their own creativity through the timeless craft of stone carving.

Her Interview

Ten minutes with Kat

01What do you attribute your success to?

I attribute my success to one word "perseverance". No matter what, I keep putting one foot in front of the other. Through fear, through doubt, through failure, through success, through good and bad times I keep going. I might miss the mark, get a big chip on my shoulder then get it knocked off, get hopeless and depressed, wonder what the heck I'm doing, but after I falter, I get back up and keep going. Do I see where my path is going to end, no I do not. I keep going. I try all the things, then go with the one that works for me. Do the work, enjoy the success, learn from missing the mark, take another step into the unknown. Perseverance.

02What’s the best career advice you’ve ever received?

I've not been in the position to have many business mentors, but what I've gleaned from casual conversations with friends, reading and my own life experiences is this.


Take the risk and pivot. Hang on to your skills and what you love but be prepared to leave an unfulfilling, unsustainable situation. Your skills will apply in another situation.


At the end of the day, your integrity is all you really have. Do not let people, situations, or life circumstances ruin your integrity.

03What advice would you give to young women entering your industry?

This is general life advice...


Plan on re-inventing yourself at least once in your lifetime. Our world changes rapidly. Industries are outgrown, financial collapses happen, personal lives change, new technologies close some doors and open others. Be flexible and always have a skill or hobby that you can pivot from.


Find the balance. Balance being bold and confident with being curious enough to know when you are wrong. Balance honoring your truth with respecting other people's truths. Balance fulfilling your dreams with the phrase "a rising tide lifts all boats".


Advice for my industry, stone carving...

Hold on to your pants it's an amazing, wild, and wonderful ride. There is no road map. There is no security. Take classes in being an entrepreneur. Read the contracts and understand them before you sign. Plan your budget as if you are only going to get a paycheck once a year. Don't be afraid to have a side hustle to cover mortgage, utilities and food. Apply for everything. You will get tons of "No Thank you" responses, so don't let that ruffle your feathers. Say "yes" to every opportunity that does present itself and LEARN (both the good and the bad lessons) from those opportunities. The lessons you learn while you are beginning will help shape your success in the future. And no matter what, keep putting one foot in front of the other. Own who you are. Curate your life.

04What are the biggest challenges or opportunities in your field right now?

The ancient art form of shaping stone into items of usefulness, worship and beauty, in modern times, is inherently in a precarious position. AI and Robotic Carving Machines present a unique challenge to traditional stone carving. Stone sculptors today are being pushed out of an industry that has been part of humanity since we first learned hitting 2 stones together could create fire and useful tools. Tragic is not a strong enough word for the potential loss of the physical and spiritual partnership between human and stone.


Stone carvers are currently facing the same type of dilemma that painters did when photography was invented. There was a shift, but the industry of individual painters creating art did not die. It changed. More people had access to images for their walls and for record keeping and that was a good thing. I am hopeful that a similar balance will be found with stone carving.

05What values are most important to you in your work and personal life?

I strive to create situations where other people thrive and grow in positive ways.


My sculpture is always created with positive energy and strives to lead people to stop and look with not only their eyes but with their thoughts and their hearts as well. My work asks, "What do I mean? What am I saying to you, in this moment? Does my presence add value to your day?" "Do I soften your anger or embolden your resolve?" "Do I help you find balance?" Beyond that there is an energy in everything. I feel the energy in the stone. When working with stone I am removed from this time and transported into a place that spans thousands of years. My mind quiets. I am fully in my body and in the moment. It is a magical place. That is one of the reasons I teach stone carving to others. Modern humans do not live in a world that allows them to experience the richness of life that can be found in silent thought, slowness, difficult to master skills, the success that only bringing your personal vision to fruition in cold hard stone. In stone carving classes, students not only learn an artistic skill, if they pay attention to what is really happening... they learn about themselves as well.


In my partner dance world, through teaching, producing and dancing, I hope to improve people's lives through human connection, physical exertion, and rapid touch-thought-reaction brain enhancement. When we dance together in a lead-follow partnership, people must fine tune their ability to truly focus on "in the moment", "non-verbal communication/cooperation" and "personal control of self". Even in moments of dance abandon, when you have another human attached to your hand, you must consider how your actions affect another human being. I have to trust that experience bleeds over into daily life and helps us all be better humans.

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