Mika Brunson, M.M., Associate Principal Oboe and English Horn | Music Professional on Influential Women
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Influential Woman · Music education and performance

Mika Brunson, M.M.

Associate Principal Oboe and English Horn | Music Professional, Las Vegas Philharmonic

South Bend, IN 46617

2026Years experience

Certifications · Degrees · Memberships

Degree Brigham Young University – Bachelor's Degree in Music Degree University of Nevada, Las Vegas – Master's Degree Cert Body Mapping Educator Member American Federation of Musicians (AFM) Member Association for Body Mapping Educators (ABME)

Her Story

About Mika

Mika Brunson has devoted nearly three decades to a career that bridges music education and professional performance. Currently, she teaches full-time at a high school and grade school in South Bend, Indiana, where her responsibilities span before-school and in-school band programs, group piano instruction, and orchestra or choir classes for fifth-grade and middle school students. Alongside her teaching career, she has sustained a part-time role as an orchestral musician with the Las Vegas Philharmonic, a position she secured roughly twenty years ago and continues to travel for multiple times each year. Brunson's academic foundation includes a bachelor's degree in music from Brigham Young University in Provo, Utah, completed in 1998, followed by a master's degree from the University of Nevada, Las Vegas in 2008. It was during her graduate studies that she became a licensed Body Mapping Educator, a discipline she has since woven into both her performance practice and her teaching, helping students build awareness of how their bodies move so they can play with greater efficiency and reduced risk of injury. Her professional specialties center on body mapping, guiding beginning musicians, and orchestral performance, and she holds memberships in the American Federation of Musicians and the Association for Body Mapping Educators. Beyond the classroom and concert stage, Brunson channels her values of warmth and acceptance into causes she cares about, lending her support to efforts benefiting those in poverty, local dog rescue organizations, and the LGBTQ community. She views the arts as essential to a well-rounded education, expressing concern over how funding priorities in the United States often sideline creative disciplines in favor of measurable returns. Looking ahead, she hopes to inspire the next generation of musicians, especially young women, to stay flexible, work diligently toward their goals, and bring their authentic selves to whatever path they choose.

Her Interview

Ten minutes with Mika

01What do you attribute your success to?

I attribute my success to the privilege of pursuing my artistic dreams, made possible by the support of my parents. Hard work, quality teaching and training, and making the most of my natural gifts have all played a role, along with staying prepared for opportunities as they arose. I also credit a growth mindset, which has allowed me to learn from every experience and every person I've encountered along the way.

02What’s the best career advice you’ve ever received?

My high school oboe teacher once told me that some people will always be ahead of you simply because they know how to make a better reed than you do. That lesson taught me the importance of putting in the time to master the fundamentals of my craft, and it's advice I still carry with me.

03What advice would you give to young women entering your industry?

I'd encourage them to first make sure this is truly the path they want. Be prepared to stay flexible, and work as hard as you can to build the skills you'll need to succeed. Take advantage of every opportunity that comes your way, and don't underestimate the value of the friendships you'll make along the journey. Most importantly, stay true to yourself and lean into your own unique gifts.

04What are the biggest challenges or opportunities in your field right now?

The greatest challenge I see is how undervalued the arts have become in American education. Too often, decisions are driven by a focus on return on investment, which leads to cuts in arts programming. This stands in contrast to Europe, where the arts continue to be funded for the sake of quality of life rather than measurable output.

05What values are most important to you in your work and personal life?

I try to treat people the way I'd like to be treated myself. It's important to me to help others feel at ease and comfortable, to practice acceptance, and to honor who people are as I support their growth.

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