Samantha Elizabeth Blanck
Samantha Blanck is an emerging artist and Art Director known for her passion for creative expression and her commitment to helping children heal through the arts. With approximately two to three years of experience in the art and design field, beginning as a gallery manager during her college years, she has developed a strong foundation in both artistic practice and program development. Currently, she serves as Art Director at Oh! Love You Dawn, a startup foundation where she plays a key role in shaping innovative, arts based initiatives designed to support children who have experienced abuse or trauma. In her current role, Samantha leads the development of creative programs that foster emotional expression, trust building, and personal growth. She is the co-creator of the Characters for Kids program, an initiative that integrates digital and traditional art techniques such as tracing and sketching to help children process their experiences, decompress, and communicate their thoughts in a safe and supportive environment. Her work centers on designing meaningful artistic concepts that provide children with accessible pathways into creative expression while strengthening their connection with program coordinators and mentors. Working remotely, she collaborates closely with her CEO and team to build and refine the foundation’s programming and long term vision. Samantha holds an Associate of Fine Arts from the Community College of Rhode Island, where she graduated with a 3.75 GPA and earned recognition on the Dean’s List as well as membership in the Phi Theta Kappa Honor Society. Her creative portfolio spans digital illustration, portrait and nature photography, and writing, often inspired by character design and storytelling. Deeply committed to causes such as arts and culture, child welfare, and animal welfare, Samantha continues to grow as both an artist and advocate, using her talents to create impactful, healing centered experiences that empower others through art.
• Cybersecurity and Privacy
• Introduction to Secure Networking
• Introduction to Computers
• Community College of Rhode Island - AFA
• Became a Member of Phi Theta Kappa
• Dean's list
• Phi Theta Kappa Honors Society
• Dean's List
• Honor Society
What do you attribute your success to?
I attribute my success to my family - my husband, and my brother, who keeps me going. When I dropped out of high school, I thought it was over. I grew up with bipolar and general anxiety disorder, and I thought I was just going to stay home, maybe garden, maybe work on home stuff, and just be terrified of things. I couldn't take it anymore. It wasn't acceptable. So I hoisted myself up by the bootstraps and worked with my therapist. I got my GED done and kept plugging along. In my studio, I have my Phi Theta Kappa diploma, my GED diploma, and my college diploma on my wall, and on my desk I have my Honors Society Medal and my college tassels from when I graduated right there in front of me, right behind my computer. It's a reminder to not give up. I literally started from nothing, I wanted to build better, I wanted to be more, I wanted to keep going. I literally grew up with the choice to either work or just accept that I wasn't gonna excel, and I wanted to aim higher.
What’s the best career advice you’ve ever received?
The best career advice I ever received came from my grandfather and my father-in-law, who were both former military. They told me: no matter how hard it is, no matter how many times you get knocked down, get back up, wipe off the blood, and try again. Never give up. My grandfather in particular told me when I was younger, it's not gonna be easy, there are gonna be times life's gonna knock you down. You gotta get back up and keep track. The moment you lay down, it's over. The moment you lay down and quit, it's done. You can't do that. There are times, yes, you're gonna lose the fight, but you can't quit. You gotta keep trying. That advice about grit and never giving up has been the solid basis of my determination.
What advice would you give to young women entering your industry?
My advice to young women entering the fine arts field is: be prepared to have a thick skin, be prepared to be rejected, and be prepared to fight and put yourself out there. Because in the arts, if you're not prepared for any of that, it's gonna suck and it's gonna be hard. Also, always have a backup plan. Art is not a cheap field to get into - the supply is not cheap and the demand is not cheap. When you're starting off, if you don't have the following that you need to keep this going, have a backup job, something to keep you going while you're building your base. You need to understand that art is a cutthroat industry. One day you could have it all, the next, somebody could come up right behind you and you could lose your clientele. You have to be able to adapt, you have to be able to adjust, and you have to be able to keep your clients. If you're not adaptable and you're not able to adjust, you could lose everything. Art is a very nuanced field, and if you're not ready for it, it can eat you alive.
What are the biggest challenges or opportunities in your field right now?
The biggest challenge in my field is creativity - coming up with something that's original, something that people can look at and go 'Wow.' You have to create something that's thought-provoking, something that makes people think and makes them pause. It's hard to create something original that people haven't seen before. Art is always evolving, and you have to be up-to-date. That's the hard part, because art is always changing, art is constant. If you're not on top, you fall behind, and that's always a game changer in this field. If you don't evolve with art, you're gonna sink.
What values are most important to you in your work and personal life?
For me, the most important values are grit and integrity. Integrity is especially important in my field. When you're working with art, especially digital art, you have to give proper credit where credit is due. No matter who you're working with or what you're working with, you have to give proper credit. In the art field, that is our bread and water. If you steal from an artist, that is the lowest of the low. Even when we have an original idea, we research it to make sure if something like that is already out there, and if we reference it, we cite the source, much like a researcher does when they're writing a medical journal or a science paper. It's about integrity and respect. When you're working with other people and you're working with other people's work, it's just the right thing to do. The worst thing you can hear in the art field is art thievery. Respect is also crucial - when you're working with other people, it's just proper respect.
Locations
Oh! Love Ya Dawn Company
Westerly, RI 02891