Shanna Dempsey
Shanna Dempsey is a Film Editor, Motion Graphics Artist, and Visual Storyteller based in Detroit, Michigan. She is an artist and storyteller at heart, originally from the Flathead Indian Reservation in Montana, where storytelling within her tribe played a central role in community life and personal identity. That early exposure to oral tradition and cultural narrative deeply shaped her creative voice and continues to inform the way she approaches storytelling through film and visual media. She has been creating art for as long as she can remember and began working with film and video around age 17, building what has now become approximately 25 years of creative practice.
After studying painting and film production in art school, Shanna pursued filmmaking professionally and eventually moved to Detroit, where her career quickly gained momentum. Within weeks of relocating, she secured a position in the industry and rapidly advanced within a major agency environment. Her time at Doner was particularly formative, providing intensive, high-volume production experience that strengthened both her technical skill and creative discipline. Working across a wide range of projects and collaborating with diverse teams also allowed her to build a strong professional network, while reinforcing her ability to work efficiently under pressure and adapt to fast-moving production demands.
Professionally, Shanna works as a video and film editor, dividing her time between commercial work and documentary projects. She also maintains a parallel practice as an artist and animator, bringing a strong visual and narrative sensibility into every stage of post-production. Her daily work involves shaping raw footage into cohesive stories under tight deadlines, collaborating closely with directors, cinematographers, creative teams, strategists, and clients through multiple rounds of feedback and refinement. She views editing as a deeply creative process—an extension of storytelling itself—where structure, rhythm, and emotion come together to reveal the heart of a story.
• Vancouver Film School -
Certificate, Film Production
• 200 Hour Yoga Teaching Certification
• School of the Art Institute of Chicago - BFA, Painting and Film Production
What do you attribute your success to?
I don't give up. I would say that's the number one thing. I'm really stubborn that way. I work really hard, and even times when I feel like I fail or kind of get knocked down, I always come back stronger, and I use those moments as ways to build myself, to learn, and to be stronger. I grew up on the reservation, so I'm a little bit like you gotta have that little bit of hunger in you, so I think I have that. I definitely have that drive and I'm just really grateful just to be able to work and to want to work, and to see where that can take me.
What’s the best career advice you’ve ever received?
I think you miss 100% of the shots that you don't take, so I think that you have to push yourself, and especially as a woman in a male-dominated industry, you just can't be stuck in fear, so you really have to just kind of put yourself out there. And even if it's a sink or swim situation, you have to trust your gut and intuition, and trust that you know what you're doing. That's something that as an editor, there's a lot of pressure on you. You're kind of holding the energy of the room, you have intense deadlines, you gotta get things done quickly, everybody's looking to you, so you have to just always not give in to 'oh my god, what if I don't get this done' or whatever, and just trust that it's always gonna get done, and always will come together. Just trust the process.
What advice would you give to young women entering your industry?
If you know what you want to do really early on, especially as a woman, or especially if you're a minority woman, it's good to find a mentor in the industry, somebody that can kind of guide you. I think if you're even in high school, or you're going to college, or you're fresh out of college, and you reach out to somebody that's working at a place and they're willing to mentor you, I think that would be really beneficial. I've witnessed people that I've worked with that did that, and they took people in, and in an agency, not only just to get a little bit of a feeling for the vibe, it puts your name and your face out there. It shows that you take initiative, and I think it's also a good opportunity for you. My friend was a creative director, and she mentored this young woman out of college, and she took her to different parts of the agency to give her an experience to see what feels good to you, and to allow her to ask questions. I think anything that you could do to put yourself ahead is good, so that would be something that I would say is to find a woman in the industry that is more seasoned, that can kind of help mentor and guide you. Because there's just a lot of things to navigate, and just to help prepare for that.
What are the biggest challenges or opportunities in your field right now?
I think the obvious thing is it's still a male-dominated industry. I mean, that's a challenge. I don't know if that's the biggest challenge. I think it's just how in my field, living in Detroit, when a big motor company removes their business from Detroit and seeks, like, so I'm in advertising, mostly, and they take their work outside of Detroit or whatever, that's something that can happen a lot. So I think just the ebbs and flows of the industry, because it's very reflective of kind of what's happening in the world. There's a lot of cycles, a lot of people get laid off and bounce back. I don't know anybody that doesn't have those stories anymore, and it's just part of it, so it's just kind of being prepared for kind of anything. And also, the film industry is always changing. The content's changing. It used to be bigger productions, now it's all this social media, there's all these little projects. So I think it's just riding the wave of the industry.
What values are most important to you in your work and personal life?
I would say to be kind to anyone that you work with, and that you're actually always going to be stronger if you have, collaborating with people than just standing on your own, so to really try to be open to finding those relationships, because it's just really amazing what can get done when you have all these different minds. I try to always just be really kind, and even in times where it's hard, I think just to always stay true to your values and just trust that in the long run, people are gonna respect you for that, and to not get too just caught up in the fray. For me, that's just to always try to have a level of respect and be kind with people.
Locations
Private Company
Detroit, MI 48214