Her Story
About Nancy
Nancy Frazen A.C.E. is a Los Angeles–based film editor and writer with more than three decades of experience in the entertainment industry. A graduate of UCLA, she built a multifaceted creative foundation that also includes earlier work as a public school teacher in the Palm Springs Unified School District and training in acting and performance. Her transition into film began when she explored editing during a summer apprenticeship, an experience that sparked a long-term career path that progressed from apprentice to assistant editor, supervising editor, and eventually lead editor across major studio and independent productions.
Throughout her career, Frazen has contributed to a wide range of acclaimed projects spanning live-action, animation, and documentary filmmaking. Her credits include assistant editing work on The Breakfast Club, supervising editor on Space Jam, and editorial work on animated features such as Surf's Up and Pooh's Heffalump Movie. In documentary filmmaking, she edited You Don’t Have to Die—an Academy Award–winning HBO documentary—as well as Changing Our Minds: The Story of Evelyn Hooker, which received an Academy Award nomination, and Climate Refugees, which screened at Sundance. She has also worked on television and animation projects including Gravity Falls, for which she received an Annie Award nomination.
Currently, Frazen is focused on writing while continuing her professional engagement with the broader storytelling community. She has been accepted into the Château d’Orquevaux writing residency in France and continues to develop new creative work alongside her established editing career. She is a member of the Motion Picture Editors Guild Local 700 and American Cinema Editors, reflecting her standing within the industry. Across all her work, she is known for her adaptability and craftsmanship in editing across genres, as well as her ongoing commitment to mentorship and creative growth within film and television production.
Her Interview
Ten minutes with Nancy
01What do you attribute your success to?
I think working pretty much all of this time, with only really one or two times when there was a strike where it was a little tricky to work, is what has sustained my success. Generally speaking, I think it's because I stayed open. I moved into different mediums, whether it was live action or documentaries or animation, or doing shorts. I have such a wide variety of friends and colleagues that it made it much easier for me to continuously work. Also, if I had a choice between jobs and I could pick from three options, yeah, I would pick one. But if there's one option, I'll take that one option. I always tried to give my best. I certainly tried 100%, and I certainly never gave up. I think resilience is really important.
02What are the biggest challenges or opportunities in your field right now?
The challenges that exist right now, which have existed really for the last three or four years, have been a lot of work leaving Los Angeles and being taken to other places for tax reasons or whatever. There isn't as much work here as there was, and I think you have to be really creative. I think you have to seek out other things and maybe have a backup as well. There are opportunities, but they may not look like what you were doing three years ago. For somebody entering the field right now, it could be tricky, for sure, and I think you just have to be very, very open. If you had it in your mind you were only going to do one kind of editing, I think you have to stay open to live action, documentaries, animation, reality, HGTV - you have to just stay where the opportunities are and not be too rigid about it. Mostly, it's building a network of people that you can rely on when you're about to finish a job, so you can start talking to them and saying, hey, I'm going to be available. Once you have a lot of people in different areas who you've worked with and know you, you stand a better chance of continuously working.
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