Influential Woman · Fine artist
Renee McGinnis
Fine Artist, Self-employed
Chesterton, IN
Her Story
About Renee
I've been creating art my entire life. My mother tells the story of how I would get into her purse as a toddler, find her lipstick, and start drawing on the sheets on the bed. Eventually, she wanted to save her sheets, so she started buying me art supplies as a little girl. I was one of those children who was just born an artist. I grew up on a farm about 85 miles southwest of Chicago, in the middle of nowhere, and before I showed art, I showed cattle. In high school, I did all sorts of things including sign painting and portraits, and it seemed like everybody in the community knew I was capable at a young age. After earning my BFA in painting and printmaking from Illinois Wesleyan University in 1980, I moved directly into graphic design because I needed a job. I ended up as a designer in broadcasting for WGN Television in Chicago, designing graphics for the news on the 9 o'clock show, which left my days free to paint. I also did illustrations for Encyclopedia Britannica, including illustrating the first article by Stephen Hawking in the yearbook for science and future. For the last 25 years or so, I've been trying to boil down what it is about our species, the qualities and tendencies of our species, and produce work that once viewed maybe 100 years after my death, viewers will understand this particular part of human history that I'm living in right now. I paint things like a decaying superstructure on a vast polar landscape surrounded by the beauty of flowers and fauna, creating a contrast in climates where the hand of man is involved. I'm always digging around at human folly. We are a brilliant species, yet I'm trying to turn the viewers inward to take a look at the stupid stuff we do. It's sort of like a mirror. I want to compliment our species and have hope, but I also want to point at some of the things that we do. I've dealt with war and overpopulation, all sorts of issues over the decades, and I've given lectures in high schools about these things. I'm represented by Zg Gallery in Chicago, and my work is in the collection of the Fort Wayne Museum of Art.
Her Interview
Ten minutes with Renee
01What do you attribute your success to?
I attribute my success to not being afraid of working hard and making sacrifices. I did it without getting grants and making other people support me while I made my art. I supported myself by working nights, and maybe growing up on a farm and all that hard work helped me get through those times, because they were 14, 15-hour days I worked, including weekends. Especially when I was doing the illustrations for Encyclopedia Britannica, because there were deadlines there too, and I was still trying to make my art. I guess I'm proud of the fact that I stuck with it, because I was just driven by something. I don't know if all artists have this experience, but I've got like 10 paintings in my head right now that I don't have time to paint. Seeing that the work actually materialized is my greatest satisfaction or relief. It's almost like a relief, because a painting will haunt you until you've painted it.
02What’s the best career advice you’ve ever received?
Just keep making work.
03What advice would you give to young women entering your industry?
Don’t waste time and don’t waste money on clothes and makeup. Drug store cosmetics and resale clothes are all you need so you’re able to invest and contribute to charities.
04What are the biggest challenges or opportunities in your field right now?
Meeting curators.
05What values are most important to you in your work and personal life?
I feel as though art should try to do some kind of good. I'm trying to produce work that will help viewers understand this particular part of human history, and I want to turn viewers inward to take a look at both the brilliance and the folly of our species. I deal with things like the choices and dichotomies that our species makes, the things we build that burn fossil fuels and harm our planet, and issues like war and overpopulation. It's sort of like holding up a mirror. I want to compliment our species and have hope, but I also want to point at some of the things that we do. Working hard and making sacrifices has been important to me. I supported myself by working nights so I could continue making my art during the day, and I'm proud that I stuck with it even when it meant 14 or 15-hour days. I do a lot of work connecting with people in the community, giving service even when I don't get paid for it.
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